All posts by Barbara Hranilovich

Lifelong artist, teacher, learner.

“Reaching Out” new public work installed for Art Quest

Art Quest with Maple_CroppedLast week we installed an outdoor piece that was one of nine chosen for  Lansing Art Gallery’s art and history scavenger hunt, up from now through September 1. This even will guide visitors to various downtown Lansing landmarks and original works of art with quizzes and historical tidbits. To participate, be sure to have your smart phone…it’s your guide.

My piece, called “Reaching Out” is installed in…wait, you have to do the tour to find out. The piece displays 10 QR codes that direct visitors to the websites of Lansing artists working in media that would not have otherwise been exhibited at such an event. I’m pleased to showcase Deb Oliva (ceramist), Mike Bass (composer), Jenny Schu (beader), Shawn Misener (writer) and several more, including myself and Dace Koenigsknecht, who fabricated the metal structure of this piece.

I look forward to taking the tour myself. Get more information and start the tour on your phone here. Just click on your level of choice to get to the first piece of art. The tour starts at Lansing City Hall.

If you’d like a pdf of the map, just e-mail the Lansing Art Gallery at lansingartgallery.gmail.com, or stop by during gallery hours.

Biggby Coffee Wall Art–Piece in Process.

When Bob Fish first asked me to create artwork for Beaner’s he had just a handful of stores. His is now the robust and multi-state Biggby Coffee, serving what Bob thinks of as a “party in a cup”. This is the name of the latest wall art series for new Biggby franchisees. I’m not sure yet where they’ll fist appear, but I can’t wait. It’s been so fun to be part of the growth of Biggy, doing mugs, packaging, banners and several series of wall art.

Here is the development of one of the images.
I start with a light wash to establish the color tone of the piece, working with a color selection provided by Biggby. We had a broad range for this project and each piece had it’s own palette. I put in the Biggby orange right away, because I wanted to remember, no matter what, to draw attention to that.

The cool green background plays off the warm fruity colors. I’m constantly balancing color and value. For this series it was important to keep the energy of each piece lively, so there’s a lot of layering, flow, contrasting directions, and detail to keep the eye busy and moving.

It was really hard not to run to Biggby every day for some treat or another!

Below are the other pieces in the series.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Party in a cup!!!

 

Five by Seven Project

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I’m ready to just have some fun making art. The Icarus exhibit came and went and was gratifying on many levels. There’s usually a down period after an exhibit, a burbling and experimentation time before another large idea falls into place or the desire for another exhibit.

This week the 5×7 concept hit me and I’m quite excited. I’m going to do whatever I damned well please in painting and drawing…not consistency necessary, no holds barred in style and subject matter. Whatever comes out on a given day will be what’s supposed to come out. I like the idea of having small pieces, but with perfectly serious art on them. I want original art to be accessible to anyone.

Finished pieces will be available only from my Etsy shop. All will be prices at $57 with $5.70 from the sale of each getting donated to the Firecracker Foundation, a local and important group reaching young victims of sexual abuse.

This pondering rabbit is the first piece.

Getting Cute

Barb Bunnies

When I was young I painted thousands upon thousands of cute little images on mother-of-pearl earrings for a cottage industry. My mother always encouraged me to do cute images…those were the ones she loved. As most artists do in school, I went dark and broody (mothers worry about these things!). I still lean that way, but have found a mid zone in my work that keeps me happy, and still has a chance of going home with someone else.

Recently I was working in encaustic with a new technique and was suddenly called to do cute. The technique ends up feeling like children’s books I loved. I now want to play with all sorts of children’s imagery, simple, but touching some spot in my heart.

Does Consistency Matter?

After making art for all but one of my 61 years, I wrestle with the issue of consistency. I see so many artists who work in the same medium with essentially the same look for year after year. They hone their style and technique. Their work becomes nuanced and sophisticated. I totally respect what this approach can bring. I just can’t do it.

I don’t know if it’s my ADD, or what, but I’m happiest when I’m trying something new…a new medium, a new type of mark, a new tool, a new finish. While I think it helps the work evolve in its own way, I do feel bad that my curiosity (and impatience…I do like to fling paint and clay) impedes deep exploration. I know it’s a problem for my illustration portfolio, which is as all-over-the-place as my fine art. How can a client know what to expect. I always just hope they’ll see that I can choose what they want based on existing samples and know I’ll come through. I couldn’t pick a single medium if I had to. Each brings something exciting and allows something the others can’t. I think I’m doomed.

Etsy…again.

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Over the years I’ve dabbled with having an Etsy shop for selling reproductions, CADDis…various and sundry, but I never took it particularly seriously. I had a recent conversation with someone who DOES take it seriously and has had significant success with it. I decided to start again with a fresh approach. At this point I only want to have original art there. I create more work than I can find gallery homes for, so this really makes sense. I’ve loaded some available work into the site and will constantly be adding more, including a children’s section. I hope you’ll visit and tell your friends about it. Hranilovich Arts

Taking images farther in Photoshop

Last fall I decided to take some old images and rework them in Photoshop. Creating something directly in Photoshop doesn’t appeal to me, but seeing what happens to an image that’s been painted, with all the complexities of surface and color does. Here’s one that was posterized, among other things, and another that I inverted.

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Then I was doing an image for the holidays…a Father Christmas. I finished the painting, but it was just lacking something for me. I brought it into Photoshop and started adding arbitrary textures, like cement and closeups of leaves and fabrics, tweaking screen levels and cutting away where not needed. I had a terrific time doing it and fell in love with the complexity of the surface. Cement into snow…what fun! This piece has been winning awards, so I might be on to something.

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The latest piece was this cardinal. There was so much going on already in the original I had to be pretty descriminating about where to enhance, but put in textures here and there along with a couple of real berry photo images. There’s a richness that’s hard to explain with this system.

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This is definitely a direction worth pursuing further. It brings a fresh tool to the studio, but lets me keep what I love about painting. Time flies when I’m working on these…fully engaged and excited. Feeling lucky.

 

Evolution of an Illustration

I thought it might be interesting to post the various stages of an image while I’m working on it. I hope it is.

This piece was done for the MSU School of Music’s upcoming production of La Boheme. The impetus for style is the historical time-frame for the production and elements were pulled from the set design.

Once the sketch was approved I drew the image on 140# Arches hotpress paper, soaked and stretched it. You can still see the mottling from the water. This is the time to put in a background wash.

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At first I want to establish the key values and cool/warm range. We were aiming for a Toulouse L’autrec palette.

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Next I wanted to get a feel for how much washy paint I wanted and what flat areas. I also needed to test how to handle outlining. I was looking at old prints, but did not want to copy style, just pull some of the feel.

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Since the roses play such a big role, getting their color in place was important and would drive the rest of the piece.

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With such a light-touch on the wash, doing the face was scary…no room for error!

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This is the finished art I submitted.

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It was asked to make the woman prettier and smiling. I could not make the changes on the original art without changing the entire look of the face. It would have had to become opaque to allow coverage of the old features and adjustments. So, I went to PhotoShop. I felt like a plastic surgeon…nip and tuck.

This is the final image which will appear on the poster. I have to admit I prefer the original, but if my client’s happy, I’m happy.

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Teaching at Interlochen

I always wanted to go to Interlochen and finally get to, though as a teacher now. I’m thrilled to have been offered the opportunity to teach three courses.

The classes are not till June, but are starting to fill, so if you’re interested, I’d suggest you check it out soon. You can stay right on campus using the lodging code link below. What a fun getaway! It would be great to have some local folks there to play along.

Get details for each class with the corresponding link. Please feel free to let me know if you have any questions.

Children’s Book Illustration:
Yes, I would love people from across the state and beyond to come up for your classes! If they want to stay on campus they can use the lodging codes associated with the program they are attending with the hotel desk to receive A DISCOUNT! To date, you have registrants from Grawn, Brethren, Suttons, Bay, Brighton, Chigago and Maitland, FL. SOme may have summer homes up here, but some may not…
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